Co-produced by La Société Nouvelle des Films Marcel Pagnol, a picture of Corsica, confronted with post-war social change.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

The youth of the Lumière brothers ; the invention of the cinematograph ; the first Lumière films ; the first film projection at the Grand Café in Paris ; the Lumières' commercial and cultural heritage ; Louis Lumière at work in Bandol on a project of 3D cinema.

This French documentary is comprised of almost 300 clips from the past 100 years of cinema Francaise. The images within the documentary are free flowing and not in chronological order; they are also not hindered with unnecessary narration or lengthy introductions. The film represents the collaborative efforts of a collective of the country's finest filmmakers.

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'Though shot in 1974 before After Manet, its conception post-dated all the preparatory work for that film. It handles in a single screen way a similar area of problematic relying more evidently on speculation by the audience of the 'out of shot' state of affairs, and on the expected development of the work. Like the Manet film, it is based loosely on another work, in this case adding a character who does not feature in the Lumiere film. Both works are concerned with cinematic procedures and with the audience procedure in structuring the material.' MLG

"Moi, Straub, je vous dis que c’est la police armée par le Capital, c’est elle qui tue !"

Murdered in a parking lot on Avenue Foch in March 1984 at the age of 52, Gérard Lebovici found himself at the intersection of several worlds: the media industry, artistic ambitions, and radical subversion. Was it a mafia hit, a political assassination...? The investigation never reached a conclusion. Founder of the Artmédia actors' agency, film producer and distributor, creator of the Champ libre publishing house, friend of Guy Debord, Gérard Lebovici found himself at the extreme melting point of the tensions that mark our world: money, images, celebrity, networks, revolt, radical criticism, and marginality. Tracing an unusual journey, this portrait of "Lebo" paints a picture of an era that began with the radical protests of May 1968 and ended with the cynicism of the 1990s.